{"id":2553,"date":"2023-06-30T19:34:26","date_gmt":"2023-06-30T17:34:26","guid":{"rendered":"https:\/\/josepcarleslainez.com\/sin-categorizar\/hores-finales-dhefestion-en-babilonia-2\/"},"modified":"2025-01-06T12:29:04","modified_gmt":"2025-01-06T11:29:04","slug":"hores-finales-dhefestion-en-babilonia-2","status":"publish","type":"post","link":"https:\/\/josepcarleslainez.com\/en\/literature\/theatre\/hores-finales-dhefestion-en-babilonia-2\/","title":{"rendered":"Hores finales d&#8217;Hefesti\u00f3n en Babilonia"},"content":{"rendered":"<p>After <em>Elsa met\u00e1lico<\/em> (1998) and before <em>Thule<\/em> (2010), <em>Hores finales d&#8217;Hefesti\u00f3n en Babilonia<\/em> [Final Hours of Hephaestion in Babylon] (2006) is my second approach to playwriting in Asturian, and also the second in the search for a short theater, and also minimal. Far from the timelessness of <em>Elsa met\u00e1lico<\/em>, in this piece we can see the preference for themes linked to classical antiquity that would later burst out in <em>Thule<\/em>. Once again, in these <em>Hores finales&#8230;<\/em>, we have the lack of communication as the axis.<\/p>\n<hr \/>\n<p><span style=\"color: #333333;\">Depu\u00e9s d&#8217;<em>Elsa met\u00e1lico<\/em> (1998) y enantes de <em>Thule<\/em> (2010), <em>Hores finales d&#8217;Hefesti\u00f3n en Babilonia<\/em> (2006) ye&#8217;l mio segundu averamientu a la escritura teatral n&#8217;asturianu, y tami\u00e9n el segundu na busca d&#8217;un teatru breve, y am\u00e1s de m\u00ednimos. Allo\u00f1ada de l\u2019atemporalid\u00e1 d&#8217;<em>Elsa met\u00e1lico<\/em>, vese n\u2019esta pieza la querencia por temes lligaos a l&#8217;Antig\u00fced\u00e1 cl\u00e1sica que espa\u00f1ar\u00eden m\u00e1s tarde en <em>Thule<\/em>. De nuevo, n&#8217;estes <em>Hores finales&#8230;,<\/em> tenemos la incomunicaci\u00f3n como exa. <\/span><\/p>\n<h3 style=\"font-size: 13px; font-weight: 600;\"><em>Hores finales d&#8217;Hefesti\u00f3n en Babilonia<\/em> [Final Hours of Hephaestion in Babylon], in <em>La Ratonera<\/em>, 17 (May, 2006), pp. 37-39. 37-39.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>After Elsa met\u00e1lico (1998) and before Thule (2010), Hores finales d&#8217;Hefesti\u00f3n en Babilonia [Final Hours of Hephaestion in Babylon] (2006) is my second approach to playwriting in Asturian, and also the second in the search for a short theater, and also minimal. Far from the timelessness of Elsa met\u00e1lico, in this piece we can see&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88],"tags":[141],"class_list":["post-2553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-2006-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hores finales d&#039;Hefesti\u00f3n en Babilonia | Josep Carles La\u00ednez<\/title>\n<meta name=\"description\" content=\"Hores finales d&#039;Hefesti\u00f3n en Babilonia.. 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